The EY Exhibition: Paul Klee – Making Visible
Tate Modern: Exhibition
16 October 2013 – 9 March 2014
Adult £16.50 (without donation £15.00)
Concession £14.50 (without donation £13.10)
Help Tate by including the voluntary donation to enable Gift Aid
Book Now - The EY Exhibition: Paul Klee is proving very popular but there are still plenty of tickets available.
Concession £14.50 (without donation £13.10)
Help Tate by including the voluntary donation to enable Gift Aid
Book Now - The EY Exhibition: Paul Klee is proving very popular but there are still plenty of tickets available.
Paul Klee, Fire at Full Moon 1933
Museum Folkwang (Essen, Germany)
Paul Klee is a giant of twentieth-century
art and one of the great creative innovators of the time.
Witty, inventive, magical, his exquisite paintings resist easy
classification. He is mentioned in the same breath as Matisse, Picasso and his Bauhaus contemporary Kandinsky. He cuts a radical figure in
European modernism. His influence on abstraction can be seen in the works of Rothko, Miró and beyond. And yet, for an
artist of such stature, there is still so much to discover about him.
At Tate Modern this autumn, you can rediscover Klee’s extraordinary body of
work and see it in a new light. Paintings, drawings and watercolours from
collections around the world will be reunited and displayed alongside each
other as the artist originally intended, often for the first time since Klee
exhibited them himself.
The EY
Exhibition: Paul Klee – Making Visible begins
with the artist’s breakthrough during the First World War, when he first
developed his individual abstract patchworks of colour that later became
characteristic of his ‘magic square’ paintings.
The heart of the exhibition will focus on the decade Klee spent teaching
and working at the Bauhaus, the hotbed of modernist design. The abstract
canvases he produced there, such as the rhythmical composition Fire in the
Evening 1929, took his reputation to new international heights.
The 1930s then brought about radical changes. Having moved to Düsseldorf,
Klee was dismissed from his new teaching position by the Nazis and took refuge
in Switzerland with his family, while his works were removed from collections
and labelled ‘degenerate art’ in Germany. Despite the political turmoil,
financial insecurity and his declining health, he nevertheless became even
more prolific.
Small, expressive canvases, rich with meaning and grouped as Klee himself
grouped them: seeing Paul Klee at Tate Modern is your opportunity to understand
Klee’s art as he intended and to appreciate the impact of this fascinating
artist. The EY Exhibition: Paul Klee presents a revelatory experience of
the work of this modern master.
Although Klee saw his art as a process of spontaneous creativity and
natural growth, exemplified by his famous description of drawing as ‘taking a
line for a walk’, he actually worked with great rigour. The exhibition will
challenge Klee’s reputation as a solitary dreamer, revealing the innovation and
rigour with which Klee created his work and presented it to the public.
Matthew Gale, Curator
Klee’s works, presented in a symphony of yellow, blue and red, create an
inexplicable impression of joy, of music and of freedom. Art, artifice
or magic?
Tate Modern has given us the definitive Klee exhibition
Waldemar Januszczak, The Sunday Times
Waldemar Januszczak, The Sunday Times
Paul Klee at Tate Modern brims with elation
Laura Cumming, The Observer
Laura Cumming, The Observer
One visit to the Tate’s new show will never be enough
Adrian Searle, The Guardian
Adrian Searle, The Guardian
The most beautiful installation of this elusive artist’s work any of us are
ever likely to see
Richard Dorment, The Daily Telegraph
Richard Dorment, The Daily Telegraph
You’ll spend ages peering at and poring over the witty, joyful masterpieces
in this career-spanning retrospective *****
Time Out
Time Out
The sheer graphic zip and register of Paul Klee’s art makes for exhilaration
all the way in this beautifully presented show. His visions scintillate on the
walls, alive with generosity and spirit.
Laura Cumming, The Observer
Laura Cumming, The Observer
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