giovedì 18 aprile 2013

PARRHESIA



PARRHESIA


fabio campagna


marco giani


fabrizio nocci


aleks slota

friday _ 26.4.13 _ opening h 19.30
.on line performance video installation 21:30
.web sound performance 22:30
.experimental set 23:00
30.4.2013 _ 17.5.2013
tuesday > friday _ h 16:00 > h 19:00
by appointment: + 49 (0) 174 659 8464
CORPO 6 GALERIE
Herzbergstrasse 55
Berlin, Lichtenberg
HB55 kunstfabrik
tram M8 from
Landsberger allee station
Ring S42/S41
▲▲
“The word "parrhesia" appears for the first time in Greek literature in Euripides [c.484-407 BC], and occurs throughout the ancient Greek world of letters from the end of the Fifth Century BC. But it can also still be found in the patristic texts written at the end of the Fourth and during the Fifth Century AD, dozens of times, for instance, in Jean Chrisostome [AD 345-407].
Etymologically, "parrhesiazesthai" means "to say everything – from "pan" (everything) and "rhema" (that which is said). The one who uses parrhesia, the parrhesiastes, is someone who says everything he has in mind: he does not hide anything, but opens his heart and mind completely to other people through his discourse. In parrhesia, the speaker is supposed to give a complete and exact account of what he has in mind so that the audience is able to comprehend exactly what the speaker thinks”
M. Foucalt
(Discourse and truth: The problematization of parrhesia,
at University of California, Berkeley, Oct-Nov. 1983)
Adopting the term parrhesia, referred to its extended meaning of free communication, as conceptual frame, the Parrhesia project intends to analyze the functioning of the social networking within contemporary society.
Parrhesia, trough a collaborative action between artists, curators, anthropologists and new social media researchers, promotes the discussion and the deepening over strategical issues for the dynamics of the contemporary sociality (M. Maffesoli)
Does the streaming of 2.0 web communication shape society? How does the continuity between the horizontal streaming of social networking and the new comunitarism take place? Is it possible to design and pre imagine further developments in this constant flux of information? Has democracy, as historical structured organism of co-management of power, reached its limits?
As its praxis, Parrhesia promotes a collaborative procedure which, respecting the individiality of each work, tries to develop a collective dicourse about each specific issue.
"Aset"’s Fabio Campagna installative intervention designs, through a group of symbolic enunciations, a construcitve hypothesis on the 2.0 web interaction within the contemporaneity sociality.
"Aset" (throne in egyptian, and usually referred to describe goddes Isis) presents itself as a stylized mirrored sculptural structure which, resembling the “matriarchal” throne, holds a private social-net projection over an obscure woods photgraph print. The dimension of communal, non hierarchical 2.0 communication addresses a different outline of contemporaneity. Reverbereting to the egalitarian equilibrium of non patriarchal society archetypes.
Marco Giani’s video installation "Still", which reproduces an instant of social net communication, articulates the meccanism of predicability and manipulation in 2.0. Adopting the same image in different soundscape, it investigates the imposed automatism in creating pre constructured answers.
Aleks Slota’s “Lifeworld/Lebenswelt” is an online performance which, projected as a skype connection in the gallery, will investigate the topics of alienation and non comunicability within the functioning of 2.0 interactive platforms.
"Inevitabilty" is a web sound performance by Fabio Campagna and Aleks Slota which, alterating on line texts, played on youtube, it will elaborate an alternative episteme. Decostructing the structures of informations and exposing the underlying nihislistc ideology.
Different approaches describes a whole new portrait of our social behavior in 2.0 communication. Opening up new perspectives and hopefully tracing unexpected directions.
Fabio Campagna
*
conceptual references:
Foucault and parrhesia:
An interview to Maffesolì about new comunitarism:
Mc Luhan and 2.0, the paradigm shift in contemporary society:
Marija Gimbutas and the non hierarchic society:
*
Bio:
Fabio Campagna (Foggia, Italy, 1972) is an independent curator and artist. He lives and works between Rome and Berlin. His projects aim to activate different modes of reacting to the urban environment by designing site-specific situations in collaboration with other artists and curators.
Fabio Campagna has been working in Rome, Italy, as project developer and curator with several contemporary art institutions, foundations, art galleries, theaters and independent cultural centres : Fondazione Adriano Olivertti, the British School at Rome, Accademia Tedesca Villa Massimo, Istituto Polacco, Accademia di Romania, Teatro Vascello, Teatro Arvalia, RialtoSatambrogio, ESC Art Center, Hybrida Gallery and Circolo degli Artisti.
CoFounder of LA54 berlin cultural association in Landsberger Allee 54, Berlin. He has codirected 91mQ art project space gallery and KHQ gallerie in Berlin. Founder of CORPO 6 art project. Currently he is directing CORPO 6 galerie, located in HB55 Räume der Kunst, Herzbergstrasse 55, Berlin.
Marco Giani (Napoli, Italy, 1973) is a visual artist living and working in Berlin.
He is the founder and curator of 91mQ Art project Space, an artist run space and platform for exhibitions and cultural exchange based in Berlin.
As artist he exhibited is works in several public institutions as well as art galleries and private Contemporary Art Foundations; Among them Palazzo Albrizzi (Venice), Galeria Guillermo Nunez (Santiago del Chile), Hybrida Contemporanea (Rome), Gallerie Weisser Elefant (Berlin), Art Fair Verona 2011 and 2012, Macro Museo d’arte Cotemporanea (Rome), Oblomova e Spazio Corrosivo (Napoli).
Aleks Slota is an interdisciplinary artist working in performance, photography, sound, video and installation. His work reflects an interest in the absurd, the interaction of fantasy and reality, and the meaning of public/private space. Slota’s recent work focuses on performance, primarily on live sound art.
Slota received his MFA from the School of the Art Institute of Chicago in 2003, and has been involved in art education, parallel to his own work, for 10 years, primarily with young and emerging artists. Slota works and lives in Berlin.
Fabrizio Nocci is an italian composer. He lives and works in Berlin.
His activity as a composer includes instrumental music, for orchestra and ensemble, experimental electronic music and electro-acoustic music. He collaborates actively with directors and video makers in the production of music for films and experimental videos. Furthermore, he writes music for theatre and dance shows.
Since 2007 he collaborates, among others, with video artists such as Lillevan and Philipp Geist. He also has numerous collaborations with soloists, ensembles and orchestras: he has composed for Tetraktis percussions, the clarinetist Alessandro Carbonare, the Lviv Symphony Orchestra, ‘L’arsenale’ ensemble, the group ‘Octandre’ from Bologna and others.
His music has been performed at the Lucerne Festival of Zurich, at the ‘Teatro Lingotto’ of Turin, ‘Teatro la Pergola’ of Florence, at the Ravenna Festival, at the XXXV ‘Cantiere Musicale’ of Montepulciano, at the ‘Teatro Politeama’ of Trieste, at the ‘Goethe Institut’ of Rome and Palermo and in other theatres, auditoriums and festivals in Rome, Berlin and New York.
**
HOW TO GET TO _ CORPO 6 galerie:
Ring S42/S41 to Landsberger allee Station
then
Tram M8, direction Lichtenberg,
(M8 runs also from Rosenthaler Platz)
get off at Herzberg str/Siegfried str STOP,
get in the hof, straight then door C,
first floor on the right.
***
“ The work of art is a place of identity” F. Mauri
CORPO 6 galerie is an art project by Fabio Campagna.
CORPO 6 galerie focuses, through a series of crossing media and site specific international artists projects, on the examination of functioning of identity topics within the articulation of the city. Taken as a symbolical, political, cultural and sociological reference. An alive body of living contents.
CORPO 6 galerie runs a series of performative projects where the music element plays its role in relation to the dynamic of the space and to the open phisicality of the body.
CORPO 6 galerie is a space of music resarch and design production.
CORPO 6 galerie, a 86 square meters space, is located in HB55 Räume der Kunst, Herzbergstrasse 55, Berlin.

▲▲
contact:
+ 49 (0) 174 659 8464
Segnala:
Amalia di Lanno